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ʠ̠ ,  ThearticlefocusesontheLermontovthemeintheSilverAgepoetry,namely,infutur ists(Khlebnikov,Mayakovsky)andakmeists(Akhmatova,Mandelstam).Thematerials arethefragmentsfromTheDictionaryofRussianXXcenturypoetry. 廠 .  , .

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ŠȠΠ̠Š. FamousartistL.V.Zak(18921980)beganhiscareerinRussiaasapoetandtheoreti cianofegofuturism.ThefirstcommenttracestherelationsbetweenZaksearlypo etryandarticles(adoptedasmanifestoesbyegofuturisticMezzanineofartsgroup) andNietzscheswork,whichheperceivedthroughtheeyesofhisstepbrother,S.L. Frank.ThesecondcommentconcernsZakspoemMotor(TheEngine),created upon his arrival to Paris, and its affinities to early migr writing, mostly to V. Parnakh. ( . ) 軠,() (:.1;18921980), ,,., ,, ,,, [Courthion1961;Grenier1963;Perrin1984;Du noyer 1989; Maulpoix 1990] [Zack1972;Zack1976;Pizerra1991;Cabanne1993]2 .

 1970. , 60 (.:[1970])3,1975.堖 (.)[Zack1975]. .꠫,蠖 ()(?1891)(. ..ࠫ.軠(1935):[1996:4344] .

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Moment philosophique.Ƞ,, ໠. ,꠫軠(1909), findesicle., 蠖,, : ⠖໠蠫, , . ,,⠖. ໠ [1909:155],, , .,,, , . 蠫 컠 . , , , , [1909:159].

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, , , . , :HheralsdieLiebezumNchstenstehtdieLiebe zumFernstenundKnftigen;hhernochalsdieLiebezuMenschengiltmirdie Liebe zu Sachen und Gespenstern [Nietzsche 1919: 88]. ( ;, ,[1990,II:43]) .

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2.廠  1923..ʠ 堫(L. Zack Collec tion,Dept.ofManuscriptandRareBooksoftheNationalLibrary,(Jerusalem). Arc41838/2): !

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Cabanne P. Lon Zack: Catalogue de luvre peint tabli par Florent Zack,IreneZacketAlainPizerra.Paris:LAmateur,1993 .

CourthionPierre.LonZack.Paris,1961 .

DunoyerJ.M.LonZack.Paris:Ed.delaDiffrence,1989. GrenierJean. Entretiensavecdixseptpeintresnonfiguratifs.Paris:Cal mannLvy,1963 .

KhazanVladimir.SomeObservationontheEarlyYearsofmigrPoetry // : . . : .,12142002/.. etal..:;,2004 .

MaulpoixJ.M.LonZackoulinsinctdeciel.Paris:Ed.delaDiffrence, 1990 .

Nietzsche Friedrich. Also sprach Zarathustra. Leipzig: Alfred Krner Verlag,1919 .

PerrinC.PenserlArtdeLonZack.Lausanne:LAgedHomme,1984 .

Pizerra A. Lon Zack, collection LAutr Muse. Paris: Ed. de la Dif frence,1991. ThomsonR.D.B.RossijanskijandtheMorningWithin//RussianLiter ature.1983.Vol.XIII. LonZack:Expositionrtrospectivepourles80ansdelartiste.Galerie Numaga.Auvernier,1972.

ZackLon. Desperlesauxaigles/PrfacedeRomanJacobson.Paris:

SintGermaindePrs,1975 .

LonZack:Catalogue.MusedArtModernedelavilledeParis.Paris 1976 .

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͠Ƞ YeseninscomplexrelationshipwithRussianavantgardewasbothattraction and repulsion. The periods common denominator was poetrys interest in spokenvoiceandtheatricalpoetics.Stagereadingsandcompetitionforpub licattentionwasacommonstrategyofYeseninsandavantgarde;thearticle tracesthepoetsborrowingsfromhisavantgardecontemporariesaswellas thepointswherehepartedwayswiththem,drawstheevolutionofYesenins poeticsinhisinteractionwithavantgarde. 仠 . 頖 ࠫ[2006:178]. 堖ՠ : 軠 [ 1990: 546]1. 2 : ,. [,1970:279280] ⠖3 [ 2003 : 2(2),359], . .: ,, ⠖ ,:軠[1920:20] .

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Šۻ Š Thearticleconsiderstheproblemsofincorporationoftheunliteraryspeechgenresin theproseanddramasinprosebyD.Kharms.  , . , , , .,, , 1. , , . , ,蠫 . ,1930 .

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